The buzz around Anthony Chen's latest work is quietly building as Paradise City Sales steps in to shepherd the project onto the global stage. Known for its deft handling of Asian auteurs, the agency sees in "We Are All Strangers" a culmination of the director's tender exploration of youth, identity and the spaces between. Chen, whose earlier entries in the "Growing Up" series earned quiet acclaim for their intimate storytelling, now turns his lens toward a more fragmented portrait of belonging, a theme that feels especially resonant in a world still grappling with disconnection. The film, still in the final phases of post-production, carries the weight of a concluding chapter, promising to weave the subtle humor and melancholy that have become his signature. Industry observers note that Paradise City Sales' involvement could open doors to festivals and markets that have traditionally been hesitant to embrace Southeast Asian narratives. Their reputation for championing nuanced voices suggests a careful, patient rollout rather than a flash-in-the-pan push. As the edit suite refines the last frames, anticipation grows that this quiet partnership may finally bring Chen's reflective saga to audiences far beyond its home turf.