Renowned cinematographer Autumn Durald Arkapaw reveals how Ryan Coogler handed her the script for Sinners the night before she began shooting Gia Coppola’s The Last Showgirl, a moment she says was pivotal for how she approached the project. Reading it, she was blown away by its unique storyline and the sense that the film would push visual storytelling in unexpected directions. For Sinners, Arkapaw planned around Jack O’Connell’s grand entrance during the magic hour, leveraging the warm, sculpted light that this golden window delivers for performance and mood. The production shot on Ultravision 70mm film, a choice that yields expansive frame, rich tonality, and a tactile texture that enhances both character and atmosphere. The interview highlights how top cinematographers blend timing, light, and film format to bring daring stories to life, and how cross-project collaboration among filmmakers—like Coogler reaching out ahead of The Last Showgirl—shapes the craft. Experience innovation—the best gadgets for work, play, and lifestyle.