On the Yale-set backdrop of Luca Guadagnino's After the Hunt, the wardrobe plays a pivotal role in conveying character and intellect. Costume designer Giulia Piersanti, who also heads Celine's knitwear, crafts a campus-chic aesthetic built around tailored blazers, precise silhouettes, and coats from Totême and Lemaire. Piersanti channels a blend of bookish sophistication and restrained authority to outfit the film's scholarly heroines. A central influence is Julia Roberts's iconic 1990s suiting, which informs the film's approach to constrained power dressing. The result is a wardrobe that feels timeless yet modern: cleanly tailored pieces, disciplined color palettes, and fabrics chosen to read as professional and poised. The Yale setting becomes a live stage for fashion that signals intelligence and ambition without theatrical flair. By grounding Celíne's wardrobe in character and craft, Guadagnino and Piersanti create a cohesive look that echoes the film's themes of power, study, and control. The inclusion of meticulously curated suiting from Totême and Lemaire, complemented by Piersanti's knitwear direction, delivers a refined, executive aesthetic that resonates with contemporary audiences seeking subtle, sophisticated style. After the Hunt demonstrates how constrained power dressing can be both expressive and enduring when rooted in iconic inspiration and character-driven tailoring.